Celebrating Manfred Thierry Mugler on the Couturissime Exhibition in Paris

Whenever you take a look at Manfred Thierry Mugler’s Instagram bio, it lists “director, present conceptor, fragrance creator, costume designer, photographer”—in that order.

And but even to a era that by no means really knew his heyday, he’s a trend demi-god—the designer who paved the way in which for Gaultier, Galliano and McQueen, and outlined an period with spectacles starring highly effective, retro-inflected, hyper-sexualized glamazons and myriad otherworldly creatures, bugs, animals, nymphs, and robots amongst them.

At Tuesday’s opening get together for the exhibition Couturissime on the MAD in Paris, hosted by L’Oréal, legions of acolytes of all persuasions turned out in full regalia. Irina Shayk (in a spring 1997 costume as soon as worn by Jerry Corridor), Cardi B and Cindy Bruna have been there. So have been former fashions and muses like Farida Khelfa and Carla Bruni; designers like Viktor Horsting and Rolf Snoeren, Riccardo Tisci, Haider Ackermann, Jean Charles de Castelbajac and Christian Louboutin; and likewise Coco Rocha, Anna Cleveland, Tom Pecheux, Yaz Bukey, Pierre & Gilles and numerous others, packed in just like the Earlier than Occasions.

Manfred Thierry Mugler and Riccardo Tisci on the exihibition / Courtesy of Stéphane Feugère

Casey Cadwaller and Rina Sawayama / Courtesy of Stéphane Feugère


Many—Viktor & Rolf and Tisci amongst them—recalled how Mugler was the designer who ignited their love of trend as youngsters. To not point out a reverence for the sort of craft not often seen these days. As only one instance, the look that headlines this exihibition, from the “Insectes” high fashion assortment of spring 1997, took greater than a 12 months to finish.

Picture from the Jerry Corridor Assortment Les Insectes High fashion printemps / Courtesy of Dominique Issermann

Picture of Manfred Thierry Mugler in Montréal, 2018 / Courtesy of Max Abadian

“For me, he is likely one of the trade’s solely actual geniuses, supplied Tisci. “He fully modified the style enterprise. Thirty years later, he’s nonetheless the most effective.”

“What’s so spectacular is his modernity and craftsmanship—I’m undecided anybody does that degree of labor anymore,” mentioned Khelfa, who toured the present early with Bruni however declined to wax nostalgic. “I believe trend’s simply completely different at the moment—it received’t ever be prefer it was then. It’s not higher or worse, simply completely different.”

Curator Thierry-Maxime Loriot—who first acquired to know Mugler via the designer’s involvement with the Cirque du Soleil and conceived the unique retrospective for the Montreal Museum of Positive Arts—famous that, within the trend sphere, Mugler is one designer who shuns nostalgia in favor of the right here and now. “What he did is so distinctive; he wrote trend historical past assortment after assortment with out figuring out it,” he mentioned. “It’s virtually prefer it’s not about trend—Mugler didn’t observe developments or reference trend historical past. It’s festive and immersive: he created his personal world, and it’s essential to maintain it intact. We needed to dive deep and make it a non-classic exhibition, so non-fashion individuals can really feel emotion the identical approach they may with a sculpture by Picasso.”

For that purpose, he tapped scenographers just like the Montreal-based studio RodeoFX—creators of particular results for Blade Runner 2049, Recreation of Thrones, and Stranger Issues—to assist plunge the viewer into an immersive world, for instance in a forest or an aquarium atmosphere.

Rocha mentioned she discovered herself entranced by the theatrical prospers of catwalk footage and movies like George Michael’s Too Funky. “When the fashions walked, they have been taking part in a personality,” she mentioned. “In case you put that a lot right into a mermaid costume, why wouldn’t a mannequin do her utmost to create drama with it? It should have been so superb. That is an period when these have been concerns, and it had a lot that means for popular culture, society, and music. At the moment, there are too many cooks within the kitchen in the case of creation. Simply letting designers do what they love is a lot extra attention-grabbing. Perhaps if everybody simply relaxed a bit, we might discover that algorithm once more.”

“Mugler opened the door of freedom to a complete lot of individuals,” supplied Tom Pecheux. “That’s what trend must be—particularly while you do it with humor and pleasure.”

Picture: Christophe Dellière / Courtesy of MAD, Paris

Christophe DELLIÈRE

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3 thoughts on “Celebrating Manfred Thierry Mugler on the Couturissime Exhibition in Paris

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