John Galliano’s Spring 2022 Movie For Maison Margiela Is an Ode to Put up-Pandemic Youth

Galliano explains it finest: “The artisanal movie was shot in a studio with a 360 LED display. Right here, within the co-ed movie, we thought it enjoyable to really reveal the backstage factor of it, so there’s an authenticity. We droop perception, if you happen to like.” “Artisanal” is Maison Margiela’s time period for high fashion, whereas “co-ed” signifies the ready-to-wear assortment. Within the pyramidal construction that defines Galliano’s artistic course of—the place he invents strategies for high fashion and filters them into ready-to-wear—these nuances are key. It’s the very notion that underpins the dialogue between his final movie and the brand new one.

If high fashion represents the hand—the fundamental purity of dressmaking, with all its may and magic—ready-to-wear is the industrialization. In essence, this assortment attracts on the themes of July’s high fashion and interprets them right into a wardrobe you should buy into. Within the spring/summer time 2022 movie, “The water isn’t water, it’s biodegradable cellophane that we will play with to evoke the concept they’re on a raft within the water,” Galliano explains, referring to a scene the place the coastal fisherman motif of the primary movie has been re-interpreted: industrialized. “By the best way, the raft is items recycled from the primary movie. It’s suspending perception: a backstage method the place we reveal the methods of theatre or movie,” he provides.

What occurs within the movie is—true to Galliano’s storytelling custom—left as much as the spectator to decrypt. All through the pandemic, his alternative of epic filmic productions have mirrored on the challenges of our second in time, from elements of communication to the hankering for info and transparency all of us felt through the disaster, and the interdependence so essential to our collective expertise. Greater than something, his latest movie seems like an expression of group: these post-pandemic “revelers of the evening”, as he calls his protagonists, as soon as once more capable of collect after the nice isolation. However they’re revelers with a trigger.

A BTS shot from the Maison Margiela SS22 movie.


Inside the movie, Galliano inserts a collection of backdrops evolving from countryside mises en scène to extra arresting photos of environments splintered by earthquakes, his fashions marching by the surroundings. “They’re meant to impress a questioning,” he says, including: “Although we’ve marched by many issues, there’s nonetheless rather a lot occurring.” Supported by the gathering’s nature-centric themes of out of doors pursuits, animal motifs and what Galliano calls “a utopian youth,” it seems like a portrait of a post-pandemic youth extra dedicated to environmental and communal consciousness than ever.

Galliano agrees that it’s a era that sees the pandemic as a lesson—a warning sign from Planet Earth – and that hasn’t forgotten what occurred, tempting as a return to “normality” could also be. With their carton crowns and armor-like silver rings and hand-plates worn over Truthful Isle knitted gloves like DIY knights, there’s an against-all-odds heroism to the group Galliano portrays within the movie.

A BTS shot from the Maison Margiela SS22 movie.


It conveys a way of hope above all. “It’s one thing that we’ve at all times believed in right here. Group is a part of our artistic course of, and for others wanting on it’s a manner of belonging to individuals or a model with ethics and beliefs which might be shared.”

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