Succeeding Succession: books, video games, music and extra concerning the extremely wealthy | Tradition


Hell hath no fury like a pop icon scorned, and no one does indignant monetary rage higher than Rihanna on the impeccable Bitch Higher Have My Cash. Hummed below the breath of many a freelancer drafting their 14th well mannered chase for fee, its playful entice beat enlaces a story of dodgy accountant exploitation with a shot of chest-puffing braggadocio: “Don’t act such as you forgot, I name the pictures.” Whether or not you’re negotiating a pay rise or cajoling your self into one other day’s laborious grind, it’s all of the encouragement you might want to stalk into that workplace and demand what’s yours. Jenessa Williams


Light glamour … Gloria Swanson as Norma Desmond, nonetheless having fun with the trimmings of wealth. {Photograph}: Allstar/Paramount

What number of movies about excessive wealth are a cautionary story: the lonely mogul, the billionaire’s comeuppance? A bit wealthy, in fact, coming from a film enterprise constructed by the profit-hungry. (For one more irony, assume OF ALL the antiheroes – Scarface’s Tony Montana or The Wolf of Wall Road’s Jordan Belfort – who find yourself as posters on bed room partitions.) All of which leaves the deathless Sundown Boulevard. Light silent-movie nice Norma Desmond (Gloria Swanson) is nobody’s position mannequin. Hollywood was kinder to her a long time in the past. However knee-deep in caviar and leopardskin, with the sunshine glinting off the pool, she continues to be a lady who enjoys each cent of her fortune. Danny Leigh


The Age of Innocence
The Age of Innocence. {Photograph}: Macmillan Collector’s Library

One of many magic tips Succession pulls off is the way in which it makes the Roy household concurrently repulsive and relatable. These terrible individuals are so wealthy that they don’t even want coats; the one time they go outdoors is once they’re transferring from their chauffeured vehicles to their personal jets. But, by some means, we begin to love them virtually as a lot as we hate them. Edith Wharton does the identical in The Age of Innocence. Her gilded denizens of late Nineteenth-century excessive society – all carriages and opera and nation mansions – seem to be petty, privileged monsters. But they’re additionally achingly, passionately, superbly human. It’s a robust spell. Sam Jordison


Grand Theft Auto Online.
Criminally entertaining … Grand Theft Auto On-line. {Photograph}: Rockstar

I’ve not often felt as wealthy as I did once I lastly paid off my home in Animal Crossing – however that was wealth amassed via promoting prize fish and labouring diligently across the neighbourhood. For one thing that’s each a fantasy and a parody of gross capitalistic extra, you need Grand Theft Auto On-line, a violent, nihilistic digital city-state that permits you to earn and spend tens of millions on sooner vehicles, helicopters and luxurious flats – solely to search out that none of it actually does something or makes you are feeling any higher about your life. Keza MacDonald


Embarrassment of riches … Rembrandt’s Belshazzar’s Feast. {Photograph}: Alamy

Riches have by no means been painted in a extra hallucinatory method than in Rembrandt’s Belshazzar’s Feast, his model of the biblical story of Belshazzar, who feasted from plates stolen from the holy temple. Even with out the writing on the wall, this man is in a gilded hell. Gold glows all over the place however turns to rancid butter. His glowing golden cape is a quagmire of pigment, a swamp of cash. A horrible lifeless mild glints off it and the burnished metallic receptacles from which his corrupt firm drink. A golden jug with its neck turned in the direction of us opens a shining void. Wealth, warns Rembrandt, is a whirlpool of insatiable wishes. Jonathan Jones

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